Tuesday, 02.26.08

A classical coup

korea orch.jpg

MARK RALSTON/AFP/Getty Images

Politically, the concert flopped. Kim Jong Il, who invited the New York players last August, failed to appear, and Secretary of State Condoleezza Rice dismissed any temptation to get "carried away with what listening to Dvorak is going to do in North Korea." In the midst of a two-month stalemate over delayed nuclear disarmament, the Philharmonic’s performance could provide little more than a soothing distraction.  

The only unambiguous winner was the orchestra itself. Splashed across the front pages of national newspapers, the Philharmonic reclaimed a cultural authority for classical music belied by its graying, shrinking audience. As American orchestras struggle to stay afloat here, North Korean artists enjoy generous government subsidies in return for their service as professional glorifiers of Kim Jong Il and the Juche Idea. Fortunately, the popularity of classical music outside America is growing, particularly in China. But for home-grown fans and performers, the question is: will America preserve its Western cultural patrimony, with the goodwill it buys, or abandon it to the East?

Violins of appeasement

The New York Post calls the Philharmonic's good will tour a starry-eyed "disgrace."

 

No translation needed

Lorin Maazel, director of the New York Philharmonic, argues that music can overcome politics.

 

Kow-towing to terror

B.R. Myers, an Atlantic contributing editor, believes that the orchestra is playing right into the Dear Leader's anti-American propaganda.



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