Monday, 04.07.08

21 Again

Black Jack.jpg

Photo by Flickr acaben under a creative commons license.

Last weekend, 21 looked like a disappointment, opening to mediocre reviews and an unspectacular $24 million take. But never underestimate the benefits of facing off against weak competition. March and April are never great months at the movies, but this post-writers' strike spring is particularly lackluster, and now that George Clooney has proven yet again that he isn't quite the box office draw that his fawning press coverage suggests he is, 21 looks like it has a chance to spend three straight weeks atop the heap. (All it has to do is beat out Keanu Reeves and Prom Night next weekend.)

The movie I expected to knock 21 off its pedestal, the hungry-plant horror show The Ruins, didn't even come close, earning less than eight million dollars -- a pathetic showing, and a reminder of how hard it is to predict what audiences will jump on and what they'll ignore. Sure, The Ruins got drubbed by the critics, but so do most gruesome horror movies. Why did this one -- based on a recent bestseller and facing off against the same weak slate of rivals that have made 21 a hit -- turn out to be a big flop when similarly-themed, equally-lousy movies like Anaconda and Congo ended up finding an opening-weekend audience? If you can answer that question, there's a Hollywood studio that would like your phone number...

Real-life thriller

An excerpt from Ben Mezrich's original book explains how their card-counting tag team worked.

 

Boring brainiacs

Manohla Dargis pans the movie for unequivocally celebrating the self-righteous greed of the meritocratic elite

 

Color-by-numbers

Roger Ebert says of the formulaic script, "you can just about count the page numbers as they flip by."

 

Good as it looks

In a dissenting and eminently blurb-able opinion, Peter Travers enjoys watching smart kids give it to the man and compliments Kevin Spacey's return to his "old tricks."

 

Twice burned

Christopher Orr badly reviewed the film based on the preview; after seeing it, he said the actual film was worse.



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